This blog includes excerpts from my book entitled The Lover's Gaze: Rumi's Guide for Lovers and Spiritual Seekers. In it I try to provide balanced (not too literal, yet not diverging from the original Persian) translations and commentary on the poetry and practical philosophy of Rumi, the Persian Sufi Mystic and Poet. The translations in this blog are copyrighted. If you wish to use them send me an email and I will need to verify usage then send you a formal email of permission of usage.
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Sunday, March 28, 2010
The Path within
Journey within journeys not one but all; seeking seeking searching further and further; when alas the Truth stands before the Self in silence ; awaiting in patient Divine Grace; with that elixir of Life the quest of Love; the joy of returning to the Source; after feeling the pangs of separation.
Sunday, February 28, 2010
The passage of time
I feel for perhaps the very first time or at least as I am aware of it, the passage of time
Always waiting for the golden calm where do i turn?
Always waiting for the golden calm where do i turn?
The flute’s a companion to those parted with a friend
Whose veils have cut asunder our own veils
Who has seen poison and antidote in one, like the flute?
Who has seen a companion and eager friend like the flute?
The flute tells a tale of a much bloodied way
Tells us stories of insane love
The confidant of this awareness is no-awareness
the tongue’s best customer is the ear
In our sorrow; the days go by
The days are coupled with painful longing
Tell the passing days, “Go, I have no fear!”
stay with me– besides whom there is none pure
From Masnavi, Book 1, Lines 1-16
Wednesday, February 24, 2010
Sequence in Rumi's stories
Rumi tends to describe a general principle and then start a story to elaborate on the main point of the principle he is expounding. As he proceeds with the story he runs into situations in which he feels he needs to explain even more.
During these interludes or asides, he again expounds general principles and then stops and returns to his narrative of the original story.
Thus each story has a main principle and a set of sub themes or sub principles.
We'll explore a sample of the story of the king and the handmaiden .
Posted from mobile
During these interludes or asides, he again expounds general principles and then stops and returns to his narrative of the original story.
Thus each story has a main principle and a set of sub themes or sub principles.
We'll explore a sample of the story of the king and the handmaiden .
Posted from mobile
Friday, January 1, 2010
the Way of our Beloved has no room for the fearful
There is no room for the fearful in our Beloved’s Path
All are kings; minions have no merit there
If you are playing the underdog, implying you are truly worthy
[Know, that] In our value system trying to be worthy will only bring disgrace
If you are coyly trying to feign poverty take your tatters and be gone
Our king will only recognize you as an outsider *
Have you become the Light of Truth? Then shine from east to west
For, with these attributes, I do not fear those rays
If you do know Divine secrets, then keep them to yourself
For our [true] secrets do not resemble those [false] secrets
[Therefore] Leave your craftiness behind; and keep straight onto our Way
The cunning are not welcome to flaunt [their powers] in this field of ours **
Our life is only focused on the spiritual path of Shams (Sun)
Our horse will only ride towards [his home in] Tabriz ***
When I was drunk, I knew not that I was divulging secrets to so-called friends;
For being sober will not offend my religion
If you place a compass to measure our limits
Brother, Our limits are beyond the worth of [being measured by] the compass
Good man, you are stirring things up as you walk our Path
For us, there is no merit in stirring things up in either of two worlds
The Sufis of Love have a different temple ****
There, our body and soul live a different kind of existence
Sitting [even] in the depths of hell, I [would have] abandoned [my]longing for [a more favorable] destiny
For we no longer have appetite for heaven and its glories ****** In those days, people tried to feign poverty and display fake humility in an effort to look more worthy from a religious and social perspective. Rumi is saying that false humility or feigning poverty will not ingratiate you more in the eyes of the Beloved and in fact will be looked upon with indifference or even disdain. If you are doing these to get on the Path then you will not succeed in getting on the Path with these false gestures. be true and be you, and take the Path to the Beloved.
** The field of the Divine, or the Path of Light, the Way of Truth these are not the place for the cunning to be flaunting or strutting their pomposity. Egotism and ostentatious displays be they of a so-called spiritual flavor should are not valued in the Way of Truth.
*** Rumi's master, Shams was of Tabriz, and thus, Rumi's only concern was to follow his master and his practical teachings.
**** Temple was used for the word "Khaneghah" the place where sufis would gather and conduct spiritual practices, including zekr, [remembrance of the divine] and the dance of samaa to music or drums [daf, the frame drum]
***** Rumi is pointing out that he does not seek God for the sole personal benefit of attaining heaven, but is in love of God and wants to attain that state of divine union merely for the deep and overwhelming, intoxicating supremely blissful state of union, and not for any personal gain.
Thursday, December 31, 2009
I knocked at the Beloved's door
A new translation of ode 436 by Maryam Daftari and Ali Arsanjani as a gift for the New Year 2010:
He asked who is at the door?
It is I, your humblest servant
He asked What are you here for?
I said, only to bid you "good health"
He asked, how long will you continue?
until you summon me, I said
He asked, how long will you be fervent?
I said, until the Day of Judgement
I made a case for my love
And I swore many a time
From love I repulsed your
dominion and your courage
He said, to make a case,
the judge needs a witness
My tears are my witness
And the paleness of my face
He said, your witness is unsuitable
Your eye's skirt; it is still wet
I submit to the magnificence of Your justice
The witness is just; without recompense
He asked who was your companion
I said, only thoughts of you, my King
He asked, who summoned you here?
I said, the fragrance of your soul
He asked, what are you determined to do?
I said, loyalty and companionship
He asked, what do want of me?
I said, your all encompassing grace
He asked, where is the merrier place?
I said, the king’s palace
He asked, what did you see there?
a hundred miracles, I replied
He asked, why, then, is it empty?
for fear of plundering, I replied
Who is the plunderer? he asked
This sense of remorse, I replied
He asked, where, then, is safety?
In forbearance and self-restraint, I said.
He asked, what is self-restraint?
the path of wholesomeness, I said.
He asked where is this malady?
I said, winding on the road of your love
When you are there, how will you be?, he asked
I will be unwavering, said I.
Silence. For if I utter the meaning of His words
You will forfeit yourself, and have no roof or door
Friday, October 9, 2009
Rumi on Love: Part 4:
Love is apparent when there's a malady of heart;
No malady compares to that of the heart.
The malady of the Lover is beyond normal cause;
Love is the Navigator, through the mysteries of God.
Even if your love, shifts from this to that,
To that True love it will finally lead!
However hard, I strive, to describe,
elusive love;
When I come to it, I am still filled with shame.
Even if my words bring clarity,
Yet clearer indeed, is Speechless Love!
Hastening, in its path of writing, the Pen,
It broke in two when it came upon love!
[Hastening, the Pen, when in its path,
it came upon Love, it split in two!]
A stallion, thrashing in quicksand,
the Intellect in vain seeks to describe:
[for] the story of lovers and their love
can only be told through love itself!
Tuesday, October 6, 2009
The dawn and the faint crescent
The faint glimmer of light yawns upon the world, asleep, dormantthe moon gazes down upon the light and smiles
smiling, takes its own shape
"how welcome the light, but only if it shines on me and through me", it thinks.
My light does not come from me but from the Sun,
I reflect the powerful light of the Sun
So in the grand presence of the Sun, I bow
and recede into the background....
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